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Get Your Syllables

October 27, 2009

I recently wrote a poem for The Syllabary project. To be honest, I’m still not sure how to explain this thing but, basically, there are hundreds of syllables. Each syllable has a word or multiple words which can be made out of it. Poets then write a poem using all the words for the syllable they were given. By way of example – I was given the syllable FIP which can only make one word – FLIP. So, I wrote a poem which contained the word “Flip”.

Now, if you are confused – check out The Syllabary website. It won’t help but it LOOKs really cool. Also, Peter McCarey (who wrote all the poems on that site) is looking to open the project up and may be willing to give YOU (yes you!) a syllable to work with.

Our friend Aiko explained all of this already on her blog in a much clearer and more interesting fashion. (Also, I stole the above pic from her site. Sue me!) So go there if you want more details. The Syllabary site is sadly lacking in context but – once again – it does look very cool.

Here is my poem for the Syllabary:

Whiff of Winter

It smells like a dog

barking in the dark

to see his breath

and prove to neighbours

he is there. So we shutter

our windows, hide our hands

in gloves, seek an orchard,

a covered bridge, anything

to mark the season for where it is —

to say, I know where I live,

the time of day, the calendar month

and I can gut a pumpkin, smell burning

leaves, apples fermenting. The taste

of cold metal flashes like a blade, sharp

and sure as a heart about to flip and fall

in love before the leaves brittle with frost.

Golden Hour Book Reading

elvis shakespeare golden hour

Forest Publications invites you to celebrate the Golden Hour Book (and CD) Vol. II

Where: Elvis Shakespeare

When: Sunday, 1 Nov. 2pm

How Much: Free

What else: We’ll bring beer for you!

Readings:

Kona Macphee
– The graceful poet gives us a chance.
Russell Jones – Poetry not confined within the lines.
Claire Askew – white-knuckle poems for you.

Playing –

Hailey Beavis
– when Hailey sings, something inside you listens.
Billy Liar – acoustic punk with a little blood on it.
Withered Hand – the wit-full, wistfull, sweet son-of-a-bitch. Who has a brand new album of his own y’all should buy.


Buy the Book – availible at Blackwells, Word Power, The Forest Shop or, on-line, HERE!

Please support Forest Publications – a non-for-profit part of The Forest at 3 Bristo Place.

Nothing But the Poem – November!!!

October 25, 2009

NBTPECL2009

Fancy a poetry chat? Come along to Nothing But The Poem: A relaxed and informal way to meet and discuss poems.

Where: Edinburgh Central Library, George IV Bridge.

When: 6.30pm on 3 Nov and 2 December.

How Much: Free Free Free!

Moderated by ECL / SPL Reader-in-Residence Ryan Van Winkle.

What is it?
* We read a poem
* We discuss the poem
* Only the poem we’ve read.
* No Jargon
* No experience needed
* Nothing to fear
* Nothing but the poem.

There’s a little sample of what a NBTP session is like here.

Ryan at the Storytelling Festival

October 23, 2009

Poem in my Pocket

I excited to say that I’ll be appearing at the Storytelling Festival on 31 October. Yes, that’s right – Halloween – which means if you come dressed as either me or Robyn Marsack (the Director of the SPL who I’ll be speaking alongside) you’ll get a free prize!ryan_library

Here’s what the programme says we’ll be doing:

“An informal talk with Robyn Marsack, the Scottish Poetry Library’s Director and Ryan Van Winkle, Reader in Residence for the Scottish Poetry Library and Edinburgh City Libraries, about their respective journeys both to Scotland from their native lands, and as readers. The two will also explore the influence of the poems they have brought with them from their homes and the ones they have picked up along the way.”

So, I’ll be sharing some ex-pat stories as well as some of my favourite American poems. I’ll probably even read a couple of my own.

When: 31 Oct, 2pm

Where: The Scottish Storytelling Centre, The High Street

How much: from £2 – here.

And, if you wish to follow me around — I’ll be reading at the amazing Electric Cafe “Dead Civilized Caberat” the same night. I’m on the bill with local favourites like Black Cat, St. Jude’s Infirmary, and Joe Acheson Quartet. I’ll be wearing my mask.

Coates on Donne

Dave “Milk Trombone” Coates shares his thoughts on John “The Bronze Seagull” Donne. Coates examines ‘To Mr Tilman after he had taken orders’ with characteristic wit and a threadbare honesty which brings the Donne’s poem to life. Read it here – at the Scottish Poetry Library Reading Room. Enjoy.

Buy the Golden Hour Book Vol. II

October 22, 2009

Forest Publications has a brand-new on-line shop!!!

Now, you have no excuse for not buying the book (and CD). It features the best of 3 years worth of audience approved talent condensed into one beautiful volume. We’ve got prize-winning writing and music from some of the best bands you may never have heard of. If you are a fan of The Golden Hour monthly event – then surely you will love this book. And, if you’ve never managed to make it to see us in Edinburgh or on tour than here’s your chance to get a taste. Just pop a box of wine and see where the words, music and eye-horses take you!

Books are expensive to make. Help keep Forest Publications publising by buying a book or making a small donation. We are a not-for-profit organization and a charity. So, it is good for you and tax-deductible!

What follows is a super-long list of all the amazing talent in the anthology. But don’t just read about them — read the book!

Featuring new writing by:

Ericka Duffy was born and raised in Southern Ontario. Presently, she lives in Edinburgh.

Andrew Philip was born in Aberdeen in 1975 and grew up near Falkirk. He lived in Berlin for a short spell in the 1990s before studying linguistics at the University of Edinburgh. He now lives in Linlithgow and works part-time for the Scottish Parliament’s official report. The Ambulance Box, his first book of poems, is published by Salt. He blogs at www.andrewphilip.net.

Jane Griffiths was born in Exeter, but brought up in Holland. She has worked as a bookbinder, lexicographer, and university lecturer in Norfolk, London, Oxford, Edinburgh, and now Bristol. Her academic publications include John Skelton and Poetic Authority: Defining the Liberty to Speak (Oxford University Press, 2006). She received an Eric Gregory award for her poetry in 1996. Her most recent collection, Another Country: New & Selected Poems (Bloodaxe, 2008), was shortlisted for the Forward Prize.

Spencer Thompson resides in Portland, Oregon with a cat named No-name. A graduate of the University of Edinburgh’s creative writing program, he is currently writing a novel. He wishes to assure readers that no pancakes were harmed in this story. Spencer sailed as a merchant mariner for a decade, and carries on these age-old rowdy traditions on land. He enjoys facts, especially facts that he has made up.

Julia Boll is one of the three editors of newleaf magazine. She graduated from Bremen University in 2005 and is now a postgraduate student at the University of Edinburgh, where she happily recruits new authors for newleaf. Refusing to give in to the fact that she and her favourite literary magazine now reside in two different countries, she has taken to skyping with nl HQ whenever possible and can often be seen in internet cafés in the Scottish capital babbling editorial gibberish down her headset. Writing is one of her greatest passions, rivalled only by editing and, er, talking loud and fast.

Gloria Dawson was born in 1985. She won the Ledbury Poetry Prize in 2001, was a Foyle Young Poet of the Year in 2004, was short-listed for an Eric Gregory Award in 2005 and is widely published online and in print. She has supported Jackie Kay at the Soho Theatre in London, performed in an improv jazz group in Cambridge and tottered drunkenly on the stage at the Forest Café. And read poems there, too. She is currently starting to make films and grows backwards toward toddlerhood, interested in everything, grabbing nearby objects, and Wandering Off.

Benjamin Morris is completing his PhD in Archaeology at the University of Cambridge. Previously educated at Duke University and the University of Edinburgh, his creative work appears in such places as Seam, Chapman, Oxford Poetry, the Independent on Sunday, the Scottish Review of Books, and the Mays anthologies, and has won such awards as a Pushcart nomination, a Commendation in the National Poetry Competition, the Brewer Hall Prize and the Chancellor’s Medal for Poetry from Cambridge. Recently he co-edited the anthology Stolen Stories (Forest Publications, 2008). His preferred drink is bourbon and rocks.

Jason Morton was born a ne’er-do-well Michigander and continues this proud tradition in his adopted home of Edinburgh. He currently works as a journalist for The Skinny and contributes to various Forest Publications projects.

Kapka Kassabova was born in Bulgaria and educated by her scientist parents, the French College in Sofia, and two New Zealand universities. In 1990, her family emigrated to England, and later to New Zealand. During her twelve years in New Zealand, Kapka had year-long stints in France and Germany, but five years ago she moved back to Britain and now lives in Edinburgh as a happy cultural mongrel. Kapka’s travel memoir of her Cold War childhood and post-communism, Street Without a Name: childhood and other misadventures in Bulgaria, came out in Britain, New Zealand and Bulgaria last year, and will be out in the USA this summer. It was chosen by Jan Morris as her book of the year in the Financial Times. Kapka’s two poetry collections are Someone else’s life (2003) and Geography for the Lost (2007), both with Bloodaxe. In the last years Kapka has focused heavily on travel writing. Her travel essays were twice recipients of the NZ Cathay Pacific Travel Writer of the Year award. She writes the occasional travel guide and contributes with articles and book reviews to the Guardian, the Sunday Times, Vogue, the TLS, and the NZ Listener.

Alan Gillis was born in Belfast and currently lives in Scotland, where he is a lecturer in English at the University of Edinburgh. His first book of poetry Somebody, Somewhere (Gallery Press, 2004) was shortlisted for the Irish Times Award and won The Rupert and Eithne Strong Award for Best First Collection in 2005. His second book, Hawks and Doves (Gallery Press, 2007), was a Poetry Book Society Recommendation and was shortlisted for the TS Eliot Prize. As a critic, he is author of Irish Poetry of the 1930s (Oxford University Press, 2005) and is currently co-editing The Oxford Handbook of Modern Irish Poetry.

Kona Macphee was born in London in 1969 and grew up in Australia, where she flirted with a range of occupations including composer, violinist, waitress and motorcycle mechanic. Eventually she took up robotics and computer science, which brought her to Cambridge as a graduate student in 1995. She now lives in the small town of Crieff, Scotland. Kona received an Eric Gregory Award for her poetry in 1998. Her first collection, Tails, was published by Bloodaxe in 2004, and her second collection, Perfect Blue, is due out in 2010.

Phil Harrison is a writer/filmmaker/designer currently straddling Edinburgh, Belfast and Cape Town. Nice work if you can get it. “The birds, like” is one of a series of short stories he is working on set in contemporary, post-Troubles Belfast, and is currently being turned into a short film. He is presently working on a feature script influenced by, among other things, Frantz Fanon’s The Wretched of the Earth.

Nick Holdstock’s work has appeared in the Edinburgh Review, Stand and The Southern Review. www.nickholdstock.com

Aiko Harman is a Los Angeles native, currently in Scotland pursuing an MSc in Creative Writing at the University of Edinburgh. Prior to moving across the pond, Aiko lived in Japan, teaching English to Japanese high school students. Her poetry is in Read This and Fuselit, among others. She is a recipient of the William Hunter Sharpe memorial scholarship, and winner of the 2009 Grierson Verse Prize.

Russell Jones (b.1984) grew up in Telford, England. He later studied English Literature at Lancaster University and then went on to the University of Edinburgh to practice writing poetry. Jones’ work has won recognition in several poetry competitions including the Grierson Verse Prize (2007), the Bridport Prize (2007, 2008), the Eric Gregory Award (2007) and a number of national competitions. He is currently researching ‘The Science Fiction Poetry of Edwin Morgan’ at the University of Edinburgh.

Robert Alan Jamieson is an Edinburgh-based writer, originally from Shetland. “The Commissioners Investigate” is an extract from his fourth novel, H-A-P-P-Y-Land, to be published in 2010.

Jane Flett lives in Edinburgh, where she writes stories about misfits, drinks too much Scotch, runs an underground music venue, and dances really, really well. Last year she read to acclaim and whooping in Paris, Oxford, London, Cambridge and the Edinburgh International Book Festival. Find her words in Neon, Johnny America, Ducts and Spindle.

Claire Askew is the editor in chief of arts magazine Read This, and also runs the Read This poetry micropress and One Night Stanzas, an advice blog for poets who are just starting out. Her own work has featured in the Edinburgh Review, The Glasgow Review, Poetry Scotland and the Poetry Society’s Poetry News, among others. In 2008, Claire was awarded the Grierson Verse Prize, the Sloan Prize for Writing in Lowland Scots Vernacular, the Lewis Edwards Award for Poetry and the William Hunter Sharpe Memorial Scholarship. Her first pamphlet collection is due from Red Squirrel Press in 2009. She lives in Edinburgh and works as an English lecturer at Telford College.

Ryan Van Winkle is the Reader in Residence at the Scottish Poetry Library. Recently his poems have appeared in New Writing Scotland: 26 and Northwords Now. Ryan lives in Edinburgh and is a member of the Forest Arts Collective. His website is www.ryanvanwinkle.com.

Lindsay Bower currently lives in Charleston, South Carolina, after having lived in Edinburgh for the past four years. She was a past contributor to V: New International Writing from Edinburgh and Stolen Stories, and continues to write freelance for various publications. She is currently at work on a collection of short stories, and is happy to report that life in the South is as simultaneously awkward and inspiring as it was before she left.

And Music from:

eye_horse_2_a

Billy Liar_Ericka DuffyBilly Liar plays acoustic guitar with a punk fury. His latest EP, It Starts Here, is out now and is available online or at fine petrol stations everywhere.
www.myspace.com/billyliarmusic
Vadoinmessico_Mulkucan_AkyaziVadoinmessico are Giorgio Poti (guitar and vocals), Salvador Garza (melodica, glockenspiel, keyboards and backing vocals) and Stephan B (banjo, percussion, keyboards and backing vocals). If Frankie and Annette’s Beach Party also featured the arboretum scene from Sabrina, the soundtrack would be ‘Cave.’ Vadoinmessico creates cinematically charming songs that seem more epic than their three minutes.
www.myspace.com/vadoinmessicoband
Mat Riviere_Rob EvansMat Riviere likes drones and shouting. He lives in constant fear that the bottom-of-the-range Yamaha sampler he got for his 15th birthday will one day just stop working. www.myspace.com/matriviere

TuberiansThe Tuberians are an Edinburgh collective guided by the double bass of Martin Beer. They perform the compositions of Kim Tebble. Flute, saxophone, accordion and ukelele accompany stories of intergalactic travel, deserted farms and lonely love. Meet awkward chumps, distant spacewomen and weird maidens. Their song included here, about the first Old Tuberians’ arrival on the surface, features Kim Tebble and Hailey Beavis (lead vocals), Pockets and Laura Marlow (backing vocals), Rebecca Howard and Julian Smith (clarinets), Brian Tipa (guitar & producer) and Adam Reid (drums). You can find the video on Youtube.
www.myspace.com/tuberians
www.tuberians.co.uk

Bob Hilary and the Massive MellowBob Hillary & the Massive Mellow is a band based around the songs of Bob Hillary, formerly lead singer and frontman for The Ruffness. Their first album, Nature’s Pace, is being released in 2009 with a summer tour of British festivals to follow. Live, the band play dancey grooves, resulting in a mellow upbeat positive sound that aims to get people on their feet dancin; trancey and perfect for festivals. The Massive Mellow are: Andy Farina (acoustic bass), Andy Moore (trumpet), Danny Mullins (drums, backing vox), Bob Hillary (vocals, guitars, electronics, songs, harmonica, lap steel). www.myspace.com/bobhillary

Black Diamond Express

Black Diamond Express ‘are like the fastest train of the Lehigh Valley Railroad… a nine-piece band soaked in poetry, myth and bourbon.’ (Mark Edmundson, The List). The Black Diamond Express live and perform in Edinburgh.
www.myspace.com/theblackdiamondexpress

Asazi Space Funk ExplosionAsazi Space Funk Explosion came together in the summer of 2003 in a dark basement in Camden. Kholeho ‘Asazi’ Mosala’s rabble-rousing vocals and traditional South African percussion melded with Alex Marten’s spacey, dubbed-out keys and skanking guitar FX. They moved to Edinburgh where they were joined by Andrew Farina on bass and Caroline Anthony on drums. A string of legendary, packed-out gigs at Edinburgh’s Jazz Bar, Bongo Club, Forest Café and at the Knockengorroch Festival in Dumfriesshire have solidified their fan base.
www.asazispacefunkexplosion.com
Kevin Molloy_Michele PanzeriKevin Molloy is a writer and singer of songs, vacillating between the silly and the semi-serious. He is a very big fan of words. He hosts the monthly gig night IKTOMS in London.
www.kevinmolloy.co.uk
www.myspace.com/kevinmolloy
Sarazin BlakeSarazin Blake sings, writes, and strums songs of lost loves, bicycles, old hotels, politics and long hot drives. He has rambled coast to coast singing in basements, bars, backyards, and holding cells. He currently has seven full-length albums, two in the works, and is about to catch a train for a gig.
www.sameroomrecords.com
Skeleton BobSkeleton Bob writes songs about Glasgow that sound like they’re about America; songs about girls who did us wrong/proud; songs about The Doublet, and yes, songs about wanting to be Merle Haggard. The songs will no doubt become significantly better when Jody does, in fact, become Merle. The trio, comprising of drummer Eilidh Rodgers, bassist Richie Henderson and singer/guitarist Jody Henderson, hope to soothe your trodden heart with a filthy-sweet sound that’s been likened to Uncle Tupelo, The Handsome Family, Evan Dando, and The Jesus and Mary Chain.
www.myspace.com/therealskeletonbob
Diddley SquatDiddley Squat asks ‘why are band biogs written by the band in the 3rd person?’ To big oneself up, while seeming modest? Who cares! I, unnamed fraction of Diddley Squat think we’re okay, great actually and proud to say it. Destroy convention, mindless pretention. We sacreligiously mix styles, bouncing around and shouting like 8 year olds on too much sugar. We love it, come see us live!
www.myspace.com/bodiddleysquat
robingrey_Gabrielle MotolaRobin Grey makes music in a small white room with a blue door tucked away in a leafy corner of Hackney. Inspired by the timeless work of Bob Dylan and Leonard Cohen amongst many others, he colours in his songs with guitar, banjo, ukulele, mandolin, piano, percussion toys and any other instruments he can afford and fit into his little studio.
www.robingrey.com
Mammoth is a rap duo comprised of DK and Scrapdog. The two cartoonists and inter-dimensional visionaries have been writing and recording music since 1996. They’ve released two albums, The Flexible Dime and Octapoc. They rap about things that are affecting young people today — like aliens, vampires, nuclear war, and Hell.
www.johncrave.com
Groaner & Heid is the recent amalgamation of Groaner (www.myspace.com/filthygroaner) and Heid (Craig Bayne). They are far, far too enigmatic to elaborate any further.
Jonny Berliner_album coverJonny Berliner sings songs about crustaceans, exhaustion and glucose. He has composed science songs for the Guardian’s Science Weekly podcast and hosts the monthly Folkadot music nights at the Green Note in Camden.
www.myspace.com/folkadot
www.jonnyberliner.com
Poor EdwardPoor Edward is the moniker of Edinburgh-based singer-songwriter Sam Siggs. When playing live Poor Edward consists not only of one person (not called Edward), but a second (called J), who can make his guitar sound like a cello, a seagull, an elephant… anything you want. Poor Edward likes to play gigs and has done so with an assortment of lovely people and bands.
www.myspace.com/edwardpoor
FrancoisFrancois & The Atlas Mountains augment their trademark DIY set-up with striking arrangements of harp, melodica, clarinet and brass. This Glasgow-based band is almost orchestral in musical flair and subtlety.
www.kidfrancois.com
ChandraChandra is a singer, songwriter, guitarist, choir leader, music workshop facilitator, freelance community musician, traveller and student of life.
www.myspace.com/moontravels
Jack Richold Faith NicholsonJack Richold with Faith Nicholson: the sea-breeze stirring your hair. Haunting and heartfelt darkfolk. This song Lorca didn’t write was described by Edinburgh blogger Song by Toad as ‘Bloody gorgeous’ and ‘utterly beautiful.’ Jack and Faith are now playing together as The Sea is Salt.
www.myspace.com/jackrichold
Withered HandWithered Hand is the Edinburgh-based musician and artist Dan Willson. He composes most of his semi-autobiographical urban folk songs alone but prefers to perform live versions with friends. 2009 will see the release of the first Withered Hand album on SL Records, mixed and mastered by legendary American producer Kramer (Bongwater, Low, Galaxie 500) and featuring the talents of such local luminaries as Jo Foster (Fence Collective) and Meursault.
www.myspace.com/witheredhandmusic
www.slrecords.net

Edinburgh Review – Iraq

October 21, 2009

The latest issue of the esteemed Edinburgh Review came about after the Reel Iraq festival which took place in Edinburgh in May. Like the festival, the magazine features poetry and prose, interviews and essays on contemporary Iraqi culture. The magazine features new poems by Saadi Youssef, Shampa Ray and Salam Al-Asadi amongst others. There is also a lovely Scots translation of Sinan Antoon by our good friend Andrew Philip. There are in depth essays that are both hopeful and lamenting as well as a gorgeous set of photographs by Anmar Al-Gaboury. If you were a fan of the Reel Iraq Festival, do buy this issue – available online, Blackwells or Wordpower. You can also browse it at the SPL.

Magazines are expensive to produce so, if you can, support the ER with a subscription. Each issue gives you a contemporary snap-shot of a region via new poetry and prose as well as discussions on cultural topics. It is worth it.

Many thanks to everyone at the Reel Iraq Festival for allowing me to take part and to all the writers who came to speak. It was a real joy and I’m think this magazine reflects the streangth and diversity of the festival itself. Enjoy!

Poetry Month at Leith Library

October 20, 2009

From Thursday the 22st of October, Leith Library will be my poetic home away from home.

Starting with a Nothing But the Poem session on Thursday, I’ll be semi-based down in Leith hosting a poetic events and workshops! The month will feature reading poems aloud, going for a GPS poetry walk, and setting up a display with my favourite poetry books. You can come and meet your Reader in Residence and chat about the books on off on Monday 26 October from 14.30. It should be a brilliant month so come along to any of the events mentioned below or feel free to pop into the library and see what excellent poetry books are on offer!

Thurs. 22 Oct. 19.00 – Nothing But the Poem

Fancy a poetry chat? Nothing But The Poem is a relaxed and informal way to meet and discuss poems. Moderated by ECL / SPL Reader-in-Residence Ryan Van Winkle. * We read a poem * We discuss the poem * Only the poem we’ve read. * No Jargon * No experience needed * Nothing to fear * Nothing but the poem.

poetry month events

Mon. 26 Oct. 14.30 – 16.00 -Meet Your Reader in Residence

Ryan Van Winkle is Reader in Residence at the Scottish Poetry Library and Edinburgh City Libraries. He is also a working poet who’s work has appeared in Northwords Now, New Writing Scotland and The American Poetry Review.

Thurs. 5 Nov. 18.00 – 19.30 – Poetry Walk with G.P.S. — The Global Poetry System

messagePoetry is all around us. It is in graffiti, carved into stone, in shop windows and parks. Ryan Van Winkle leads a poetry walk around Leith on a quest for found poetry. Bring a digital camera and we’ll post our finds on the G.P.S. website. (http://gps.southbankcentre.co.uk/). This event is in association with the Southbank Centre in London and is part of a nationwide project to map where poetry is found all over the country. Come put poetry on the map! Find it. Map it. Share it.

Mon. 9 Nov. 14.00 – Carry a Poem

Do you have a favourite poem? Do you love hearing poems read aloud? Come to our poems aloud session where we’ll be sharing the poems we carry with us, in our hearts and even in our pockets. Bring any poem you’d like to hear and share and we’ll read a few from our roving poetry collection.

Got Halloween Plans yet?

October 17, 2009

EC_FLyer_Font_Draft_1_JPEG
THE ELECTRIC CAFE: ‘DEAD CIVILISED’ HALLOWEEN CABARET @ THE ROXY ARTHOUSE, 7pm for 7:30, Saturday, 31st October 2009
So, there’s this big Halloween meal and cabaret at the Roxy featuring some of my favourite bands (St. Jude’s Infirmary, Black Cat and Joe Acheson Quartet – Amazing!) plus I’ll be reading a poem or two after the meal and – look at the flyer – the thing is jam packed with entertainment. It should be an amazing night so please, book a table or an individual slot!
Here’s the Blurb:
On Halloween, Ten Tracks continues it’s certified addiction to live events into a second year, by promising to push the boundaries of the gigging experience at least once a year.

This is: THE ELECTRIC CAFE

Welcome to the realest Halloween in town: a cabaret in an hauntingly adorned old church, and featuring some of the best music available in Scotland, food (included in the price), drink, drama and visuals: a fright-filled feast for the senses to raise the dead and daze the living.EC_FLyer_Back_Draft_1_JPEG

Dress: Dead Civilised

Here’s the bands line-up so far, containing no less than 3 Ten Tracks newcomers (please give them a warm welcome…)

THE BLACK CAT
JOE ACHESON QUARTET
YAHWEH
THE GOTHENBURG ADDRESS

And much more to come…

ADVANCE TICKETS AVAILABLE FROM http://www.tentracks.co.uk/blog/48-death-is-a-cabaret-old-chum-book-your-places-here

Alternatively, for individual ticket deals, you can book directly via Paypal at:

http://www.tentracks.co.uk/blog/48-death-is-a-cabaret-old-chum-book-your-places-here

– either way, book early to avoid disappointment and secure yourself decent seats!!*
httpv://www.youtube.com/watch?v=2ifZiTdJ7Ho&feature=player_embedded

Ryan in The Evening News

October 16, 2009

Ryan_Ten_Questions2

In case you missed it (and how could you, it was in the Edinburgh Evening News) I recently answered 10 Questions to help promote National Poetry Day. Here’s the un-edited text as well as a clip from the paper. I’m not sure if I am proud or embarrassed about all this.

What is your earliest memory of Edinburgh?

My earliest memory is getting off the overnight London to Edinburgh coach. This was at the old station in September 1999 — the city had that 6am grey hanging over it. I think of that dismal morning every time I arrive in a new city at an unwelcome hour. It is almost always the same: L’viv at 4.55, Manchester at 6.15, Kroakow at 5.39. The difference is that we have that terrifying, Tolkien-esque, Walter Scott monument stabbing the sky. I always feel the same trepidation that the city will stay like that forever, that the sun will never come, the people never wake, I will get lost looking for an open cafe, and will starve to death without my mother ever knowing. Luckily, that September morning I found the City Diner on South Bridge. And then the sun came out.

2 What are your memories of school (remember to name the school even if it wasn’t in the city)?

The strangest thing about Branford Intermediate School – Now Francis Walsh Intermediate School – is that it was designed without walls. This was a fad in America during the late 60s. “Open classrooms” were meant to increase creativity – which sounds nice – but I’m not certain it worked. Mostly, this wall-less school increased my distraction especially when Mrs. Ewan’s overhead projector burst into flames in the classroom next door.

3 Where is your favourite place in Edinburgh and why?

The secret garden outside the Scottish Book Trust — shhh.

4 What are the best things about Edinburgh?

Well, it isn’t council tax. The best thing about Edinburgh, to me, are my friends and the people I’ve been lucky enough to work with at various arts organizations. Of course, that includes the Scottish Poetry Library, but also all the amazing friends who help keep The Forest running over at Bristo Place.

5 What would you change about the city?

I would rename it — “Hotel City 3000!”

6 Describe a perfect Edinburgh day/night out.

Remarkably similar to the the SPL programme for National Poetry Day (Oct. 8th). An all-day poetry carnival!


7 Which sports interest you?

Interest is too strong a word. But I do “train” at the best jujitsu gym in town. Cross Combat in Tollcross – aka “The Barn of Legends”.


8 What was your most embarrassing moment? (We really do need you to include one as everyone tries to wriggle out of this!)

Forgetting my own poem when I had to read at Poetry Schmoetry at the Bedlam. I had the whole thing memorized but could only remember the first 3 lines before curling up into a ball and crawling off the stage. Also, I imagine this getting published will be pretty embarrassing.

9 What is your greatest achievement?

I’m not dead yet.

10 Sum up Edinburgh in three words.

We live here.

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