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Tomorrow, We Will Live Here in Gutter

March 13, 2011

Review of ‘Tomorrow, We Will Live Here’ in Gutter Magazine.

Gutter, features new Scottish writing and has been an exciting magazine to read since its very first issue. Not only have they published my work but this issue features some of my great and excellent friends. In here you’ll find new work from  Kirstin Innes, Jason Donald, Rodge Glass, Anneliese Mackintosh, Dilys Rose, Colin Will, Jim Carruth, Brian Johnstone, Andy Jackson, Jane Flett, Brian Johnstone, Cynthia Rogerson, Andrew Philip, Nick Holdstock, Nalini Paul, Doug Johnstone, Pippa Goldschmidt, Ross McGregor, Alexander Hutchison, & Donald S Murray.

If you like new writing from Scotland  — you’ll love this issue!

There’s also a super lovely review of Kei Miller’s recent novel and book of poetry both of which I also recommend. If anyone out there is looking for a great book of poems which isn’t mine — go get Kei’s ‘A Light Song of Light.’

Also, while I encourage you to buy this action-packed issue of Gutter (lord knows, we have to support these things) here is a condensed excerpt:

The debut collection by the Scottish Poetry Library’s American-born Reader in Residence is nothing short of excellent. There is a small-town, downtrodden, careworn feel but as Van Winkle bumps the reader along the back roads of country America – and Scotland – his urgent narrative voices rapidly dispel any air of despondency. These are compelling, self-assured, driven poems that shine a longing, elegaic laserbeam at their subjects.

Like a Bill Callaghan lyric, the poems tackle the grave stuff of human existence – love, loss, lust, religion, dislocation (spiritual and topographical), guilt – with a tenderly sardonic, noir-ish humour. Subjects from road kill, a fat boy, through a pastor’s son, deceitful lovers on September 11th, to the rain-soaked wishes of a condemned man are each addresssed by narrators who are edgy, uncomfortable and acutely aware of their failings.

It is hard to determine exactly how Van Winkle’s poems do their work, but they burrow into the reader’s skin like a mite to leave a persistent itch in the memory. The language is clean: WC Williams’ ‘plain American that cats and dogs can read’, but with syntax that is at times polysyndetic and mesmerising: as if a character out of Faulker, Twain or Cormac McCarthy character has stepped off the page to charm, disarm and then shock the reader …. This is a rich, incandescent book to keep at your bedside for dark winter nights.

You can buy ‘Tomorrow, We Will Live Here’ from Salt Publishing.

And get your copy of Gutter from their website.

You’ll find more reviews on my ‘reviews page‘.

Dying Villiages on the SPL Podcast

March 12, 2011

Poems from a Dying Village "You follow the red road and it leads you to the empty inn" - Rimbaud

“You follow the red road and it leads you to the empty inn” – Rimbaud

Award winning Scottish poet Tom Pow takes us on a tour of his remarkable Dying Villages poetry project which was exhibited here at the Scottish Poetry Library last year. The project is aimed at responding in poetry and prose to the social, ecological and cultural effects of demographic changes on villages in Europe. Check out http://www.dyingvillages.com or Tom’s own site http://www.tompow.co.uk

Presented by Ryan Van Winkle. Produced by Colin Fraser of Anon Poetry Magazine. Twitter: @byleaveswelive & @anonpoetry. Mail: splpodcast@gmail.com

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Listen now…

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First published Sunday 9 January, 2011

About Tom Pow

Tom Pow Tom Pow was born in Edinburgh and now lives in Dumfries. He was poet in residence at the StAnza poetry festival in 2005. He has published several books for children, and the record of a poets’ correspondence and poems, Sparks!, with Diana Hendry. Landscapes and Legacies (iynx, 2003), his fourth collection of poems, was short-listed for the Scottish Arts Council’s Book of the year Award. Dear Alice: Narratives of Madness (Salt, 2007) won the poetry category in the Scottish Mortgage Investment Trust Book Awards 2009, in partnership with the Scottish Arts Council. His latest book is In The Becoming: New and Selected Poems (Polygon 2009).

In 2007, he was given a Creative Scotland Award for a project concerning dying villages in Europe. He is an Honorary Senior Research Fellow at Glasgow University, Dumfries; lectures for Lancaster University on its Distance Learning MA in Creative Writing; and is a registered member of the Scottish Storytelling Network.

About Dying Villages

By 2030 it is estimated that Europe will have lost one third of its population. It is already an ageing population with a low birthrate. The effect of this demographic change – the greatest since the Black Death – will be felt most acutely in rural areas. In 2007, Tom received a Creative Scotland Award from the Scottish Arts Council for a project aimed at responding in poetry and prose to the social, ecological and cultural effects of demographic changes on villages in Europe.

In 2007 and 2008, he made trips to affected areas in Spain, France, Germany, Poland, Bulgaria, Russia and Greece. The Dying Village website reflects these trips in sound, image, interviews and artworks.

Dying Villages is an ongoing project. Related works of poetry and prose will appear elsewhere.

Dying Villages website

Rob Mackenzie on the SPL Podcast

March 8, 2011

Rob A. MackenzieRob A Mackenzie © Gerry Cambridge

We chat with Rob A. Mackenzie, author of The Opposite Of Cabbage (Salt), associate editor at Magma magazine and organiser of the monthly Poetry At… series. Rob discusses what he’s working on at the moment, his views on criticism and the poetry industry and we get to hear a few of his recent poems. Produced by Colin Fraser of Anon Poetry Magazine. Twitter: @byleaveswelive & @anonpoetry. Mail: splpodcast@gmail.com

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Listen now…

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First published Tuesday 14 December, 2010

About Rob A Mackenzie

Rob A Mackenzie © Gerry Cambridge Rob A. Mackenzie was born and brought up in Glasgow. He received a law degree from Aberdeen University and then abandoned the possibility of significant personal wealth by switching to theology at Edinburgh University. He wrote over seven hundred songs and doubled on guitar and saxophone for cult art-rock bands Pure Television and Plastic Chicken. Despite airplay on Radio Scotland and a rash of gigs in tiny Glasgow pubs, he failed miserably to achieve rock stardom. He spent a year in Seoul, eight years in a Lanarkshire housing scheme, five years in Turin, and now lives in Edinburgh with his wife and daughter where he organises the Poetry at the… reading series by night and works as a Church of Scotland minister by day. His pamphlet collection, The Clown of Natural Sorrow, was published by HappenStance Press in 2005 and The Opposite of Cabbage by Salt in 2009. His poems, articles and criticism have featured in many literary publications over the last decade or so. He is an associate editor with Magma magazine. He blogs at Surroundings and at the Magma blog

  • Rob’s blog, Surroundings
  • Magma blog

    We recommend…

    The Opposite of Cabbage The Opposite of Cabbage
    by Rob A. Mackenzie

    Salt Publishing, 2009

    Rob’s first full collection (launched here at the library in March 2009) of which Happenstance publisher Helena Nelson said ” Restrained, intelligent, quietly ironic poems, so precise and assured in their craft that they sometimes sail into liquid light.”

    SPL shelfmark: 3.Macken.

    The Clown of Natural Sorrow The Clown of Natural Sorrow
    by Rob A. Mackenzie

    Happenstance Press, 2005

    Rob’s debut pamphlet from award-winning Happenstance Press is completely sold out, but we have copies for you to borrow and browse here in the library.

    SPL shelfmark: p 3.Macken.

Related links…

    Withered Hand in the USA

    March 7, 2011

    Go See Withered Hand

    Good News - Release in USA on Absolutely Kosher due March 2011 Cover Art

    Friends in America — my pal, Withered Hand, will be playing a handful of dates in the US to launch his spectacular début, ‘Good News’. The album is out from Absolutely Kosher Records — the same people who bring you The Mountain Goats. I’ve been lucky enough to tour around a bit with Withered Hand and have seen him play dozens of times and it always as revelatory as it is celebratory. You can check out the record on bandcamp if you don’t believe me but, trust me, if you like good lyrics and and anti-folky music you’ll massively enjoy his gig. Withered Hand is a writer of catchy, sometimes dirty, always thoughtful songs that speak directly to you. Go. Enjoy. Let me know what you think.

    But don’t take my word for it:

    * Mojo Magazine gave his record four stars.

    * His fans include Jarvis Cocker, Frightened Rabbit, and McSweeny’s Magazine.

    * The Herald writes: ‘Willson is a one-man Fleet Foxes with a voice that, one moment, sounds on the brink of collapse; the next, is filled with humour, emotion and self-knowledge. It is quite some time since a debut release has placed 10 such perfect songs back to back.”

    You can find him in New York, Austin, San Francisco and LA.

    USA solo dates

    12 March LITTLEFIELD w/The Morgues, Brooklyn, NYC

    14 March CAKESHOP NYC w/Simon Says No, Kid Canaveral, Rachel Sermani

    14 March ROCKWOOD MUSIC HALL NYC w/King Creosote

    16 March SXSW, IODA SXSW OPENING DAY BASH @ EMO’S ANNEX 12pm

    16 March SXSW – Official SXSW Showcase @ Maggie Mae’s 8pm

    17 March SXSW – End of an Ear Records, 1pm, Instore, Austin Texas

    17 March SXSW, Waterloo Cycles, 3pm, Austin, Texas

    20 March HEMLOCK TAVERN, San Francisco

    22 March HOTEL CAFE w/King Creosote, Los Angeles

    <httpv://www.youtube.com/watch?v=G-bJSOrFFY4&feature=player_embedded>

    Withered Hand – Religious Songs

    Tessa Ransford on the SPL Podcast

    March 4, 2011

    Tessa RansfordTessa outside the old Scottish Poetry Library in Tweeddale Court in 1984

    Tessa was the founding director of the SPL — that magical place of all things good about poetry. We had a lovely and graciously long chat over tea and I do hope you’ll enjoy listening!

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    In a special double podcast extravaganza, Ryan chats with founding director of the Scottish Poetry Library, Tessa Ransford. In part one, they discuss the founding of the Library and Tessa’s own memories of the Edinburgh poetry scene including Norman MacCaig. In part two Tessa talks about the early days of the library, the opening event in 1984 and its role in the invention of Vegetarian Haggis, the Iain Crichton Smith poem which inspired the new building and we get to hear a few of her poems. Presented by Ryan Van Winkle.

    Produced by Colin Fraser of Anon Poetry Magazine. Twitter: @byleaveswelive & @anonpoetry. Mail: splpodcast@gmail.com

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    Part 1:

    Or download as MP3.

    First published Tuesday 1 December, 2010

    Part 2:

    Or download as MP3.

    First published Thursday 4 December, 2010

    About Tessa Ransford

    Tessa Ransford. Photo by Michael Knowles Tessa Ransford was born in India, educated in Scotland and has lived all her adult life in Scotland apart from eight years working in Pakistan in the 1960s.

    She has published sixteen books of poems since the mid-seventies, the most recent being Not Just Moonshine, her ‘New and Selected Poems’ from Luath Press, Edinburgh, 2008.

    Tessa has led a busy working life as founder/director of the Scottish Poetry Library since it opened in 1984 until after its establishment in new premises in 1999, as founder/organiser of the School of Poets poetry workshop (1981-99) and as editor of Lines Review poetry magazine from 1988 until its final issue, number 144 in 1998. Poems, essays and articles have been published in many magazines and anthologies and in translation. She is now working as a freelance poetry adviser and practitioner, with special interest in relating poetry to those working creatively in other fields.

    Tessa was a fellow of Royal Literary Fund (working since 2001 at the Centre for Human Ecology in Edinburgh) and another RLF fellowship (2006-8) at Queen Margaret University. She set up the Callum Macdonald Memorial Award to encourage the publishing of poetry in pamphlets. It organises an annual Christmas pamphlet fair with the support of the National Library of Scotland and other sales/fairs for pamphlets throughout the year. She was president of International PEN, Scottish Centre, as from September 2003 to the end of 2006 and the commencement of its 80th anniversary year. Luath Press, Edinburgh has recently published her New and Selected Poems: Not Just Moonshine.

    Related links..

    Golden Hour Goes Stanza – March 16

    March 2, 2011

    THE GOLDEN HOUR goes to StAnza!

    A lively programme of poetry and music with Ryan Van Winkle and guests.

    March 16th, 2011
    7:30-9pm
    The Byre Theatre, Abbey Street,
    St Andrews
    Free! Free! Free!

    Readings by:

    Ryan Van Winkle — Long stories and short poems from The Scottish Poetry Library’s Reader in Residence. His book ‘Tomorrow, We Will Live Here’ was recently published by Salt.

    William Letford — Poet. Roofer. Gentleman. He will feature in the forthcoming anthologies: New Poetries 5 (Carcanet), and Scotland – The Wave of Change.

    Music By:

    Hailey Beavis — subtle guitar, a bed for a voice, both personal and touching.

    John Langan Band — an extravagant, eclectic three-piece melding Celtic, Balkan, Gypsy swing, and progressive music into a remarkably high-octane and super big sound.





    See you in St Andrews!


    Lyrical Death Match…Feb. 27

    February 21, 2011

    I’m super pleased to be reading at this fine event as part of ‘Let’s Get Lyrical‘ a celebration of music and lyrics. I’ll be sharing a stage with the amazing performers below and event doing a little poem / song thing with Burnt Island’s Rodge Glass! It will be awesome.

    A Lyrical Death Match: Cargo vs Chemikal

    Title: A Lyrical Death Match: Cargo vs Chemikal
    Location: The Caves, Edinburgh

    Description: Two of Scotland’s hottest cultural nests – Cargo publishing and music label Chemikal Underground – come head to head armed with prose, poetry and song. Authors Alan Bissett, Rodge Glass and Doug Johnstone, poet Ryan Van Winkle and emerging talent Kirstin Innes get up on stage to face former-The Delgados and revered singer songwriter Emma Pollock, and the multi-talented Lord Cutglass and his band. Stand-up comedian AL Kennedy referees the evening. Expect great music, and great writing at a great venue. Sponsored by City of Edinburgh Libraries.

    Start Time: 18:00
    Date: 2011-02-27

    Price: £13 / £9

    Booking: Tickets available on door.

    Email: events@cityofliterature.com

    There are scores of great events and opportunity for YOU to contribute your story about Lyrics. To find out more visit the ‘Let’s Get Lyrical‘ website!

    Videos

    February 20, 2011

    Videos

    Sometimes I get recorded and put on the internets. So, for those of you interested in hearing me either a) talk about myself or b) reading my poems please see below.

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    Tomorrow, We Will Live Here

    Book Preview

    by Ericka Duffy

    <httpv://www.youtube.com/watch?v=7BwlhHDYx9w>

    Ericka Duffy put together this little pre-book launch video for my collection ‘Tomorrow, We Will Live Here.’ It is filmed at the lovely Sip N’ Snip hair saloon and Massage Corner during a massive party at Forest. It was awkward. I drank my way through it.

    Ryan Van Winkle at Sip N’ Snip Video

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    Interview at Phoenix Arts Club, November 2010

    by Lee Smith

    <httpv://www.youtube.com/watch?v=tKAQf2nefas&feature=player_embedded>

    Lee, my editor at Salt Publishing, interviewed me before the the launch of my first book. It was lovely to have my friends around and special thanks to Mikey Krumins for the tequila!

    Ryan Van Winkle Book Launch

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    Highlights of Salt Launch, November 2010, London

    by Lee Smith

    <httpv://www.youtube.com/watch?v=lC3SbEnWfJ0&feature=player_embedded>

    My book launched along-side the other Crashaw Prize winners: Andrew Pidoux, Nick Potamitis, Susannah Rickards, Jonty Tiplady, and Anna Woodford. We all performed to a packed room of appreciative guests. It was such a relaxed and inviting event, and the perfect way to launch these stunning debut collections.You can learn more about the other wondrous wizards as well as find information about the Crashaw Prize on Salt’s website.

    Ryan Van Winkle and Crashaw Prize Winners 2010

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    http://www.saltpublishing.com/assets/covers/648/9781844717897.jpgSee the Poems, Read the Poems on ‘How Pedestrian

    ‘How Pedestrian’ is a vibrant and unique poetic resource featuring random people in random places reading poems. I was flattered that Katherine Leyton chose to celebrate the release of my first ever collection of poems (Tomorrow, We Will Live Here) by featuring strangers reading my poems. For those of you who haven’t bought the book, you can read and hear samples of my work and, if you dig it, please consider buying a copy here.

    For the sake of laziness the videos are all below but definitely check out the How Pedestrian site. It is a great way to introduce yourself to very high quality contemporary poetry. I cannot recommend it enough! Thanks Leyton!

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    Here are my videos (links will get you to a page where you can read the poems as well).

    <httpv://www.youtube.com/watch?v=0sy5i2jt_2k&feature=player_embedded>

    “Babel” can be found in Ryan Van Winkle‘s collection Tomorrow, We Will Live Here.

    Ryan Van Winkle – Babel – NYC

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    <httpv://www.youtube.com/watch?v=YTARQjRDyiE&feature=player_embedded>

    Columbia University. In the middle of the night. On a brutally cold evening in December. I love this video.

    “Necessary Astronomy” can be found in Ryan Van Winkle‘s collection Tomorrow, We Will Live Here.

    Ryan Van Winkle – Necessary Astronomy – NYC

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    <httpv://www.youtube.com/watch?v=t7GxYaYU2A4&feature=player_embedded>

    In New York and featuring poems from Tomorrow, We Will Live Here, the new collection from Conneticut-born poet Ryan Van Winkle. This reading was shot at International House in Manhatten. Do any of you recognize the music?

    Ryan Van Winkle – The Day He Went to War – NYC

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    I can’t seem to make the video work for below. But you can see me read if you follow the link…

    Ryan Van Winkle – The Apartment – Istanbul

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    <httpv://www.youtube.com/watch?v=5hAXIKwk1Ok&feature=player_embedded>

    In this video, Ryan reads “My 100-Hundred-Year-Old-Ghost” while on tour with The Golden Hour in London. A big thanks to Ericka Duffy for shooting the video.

    Ryan Van Winkle – My 100-Year-Old Ghost – London

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    Word Express with Literature Across Frontiers

    I’ve been very lucky to travel, translate and perform with the good people of Word Express who promote international collaboration and understanding via literature. It is a great organization with a vibrant website filled with other excellent international writers. If you don’t believe me, check the site. Below, you’ll find some videos of me reading in Istanbul. I can’t seem to make Vimeo work on this site so you’ll have to click along to see the videos where you’ll also see the text of the poems.

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    Darkness on the Edge of Toast

    from Literature Across Frontiers

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    The Apartment

    from Literature Across Frontiers

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    Stir the Soup With Uncle Beasley

    <httpv://www.youtube.com/watch?v=FYyJccC7yIE>

    It was a special treat to be invited to play at  Fence Collective’s Home Game. I got to tell a dirty story about Christoper Walken and read a poem with a pretty awesome band.

    Ryan Van Winkle with Uncle Beasley – ‘Stir the Soup’

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    Cartoons with Dan Meth

    Dan Meth and I made a ridiculous cartoon about a ram named George who runs a talent company which brings terrible comics to inappropriate places. These cartoons, are perhaps, the thing I’m most proud of creating in my life.

    Episode One

    In which George coins a new phrase and a Giant Paying Mantis kills at a nursing home.

    <httpv://www.youtube.com/watch?v=MvzjHeH87OI>

    Dan Meth – Cavalcade of Laffs Episode 1

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    Episode Two

    In which George brings comedy to the skies.

    <httpv://www.youtube.com/watch?v=lJlcBExwUMM>

    Dan Meth – Cavalcade of Laffs Episode 2

    Withered Hand Podast

    February 16, 2011

    I Love Withered Hand

    So, it was a pleasure and an honor to sit down and chat with him for the Let’s Get Lyrical festival. Withered Hand is Dan Wilson and you might be able to tell from the podcast that we’re friends, have travelled around Scotland and Europe together as part of The Forest’s Golden Hour. During that time Dan was working on his brilliant first album ‘Good News’ and I became pretty intimate with his songs. This is no surprise — many people feel like they can snuggle up inside Withered Hand’s melody and lyrics. They are by turns honest, sarcastic, poppy, whimsical, sexual, and uplifting. If you don’t own a copy of Good News, you should go buy it now and support Dan’s amazing work. There’s an old Tori Amos advert from when they were advertising ‘Little Earthquakes’ on TV. The tag-line was, ‘When Tori Amos sings, something inside you listens.’ It’s a pretty cheesy line but I think it is super appropriate line for Withered Hand. Listen now:

    We speak with the amazing Dan Willson aka Withered Hand about song lyrics, poetry, songwriting and how his writing is informed by his own life. Including numerous tracks by one of music’s brightest new talents. Presented by Ryan Van Winkle of the Scottish Poetry Library. Produced by Colin Fraser for Lets Get Lyrical, http://www.letsgetlyrical.com and Edinburgh UNESCO City of Literature.

    Review from Dave Poems

    February 15, 2011

    Review from the ‘Dave Poems’ Blog (I think he likes me…)

    Dave Coates takes a pretty lengthy and critical look at The Book. Dave is super generous but also rightly calls me to task for a) writing a pantoum and b) at times allowing a ‘faux folksy’ tone to creep in. Anyway, as ‘the poet’ I felt it a well-written piece that, as perhaps a good review should do, taught me a little something about my own work.  Here’s a couple of quotes.

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    First, one that could be pulled to sound ‘negative’: ‘“My 100-Year-Old Ghost”, “Gasoline”, “They Will Go On”, “Oregon Trail” and “Bluegrass” have a degree of faux folksiness (fauxsiness) to them which is initially off-putting. Ryan’s appreciation for Bruce Springsteen is well-documented and his influence is occasionally tangible (‘Griswold  says // they ain’t gonna raise his pay’; ‘“Gonna storm,” [Martha] says.’ Oof).‘ …. read more

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    And one quote which is wonderfully complementary and illustrates Dave’s astuteness as a reader and articulateness as a critic, ‘One of Ryan’s strengths is that (all aboard the jargon express) where his grammatical syntax is simple, his syntax of imagery is allusive, instinctive and complex. The first section is a delightfully f’d-up piece about pubescent sexual deviance that captures a simultaneous feeling of decay and blossoming, something wholesomely clandestine, ‘I was so happy, I took it all; her arms sweating / like horses. My father and sister never knew / but in that house noise always dried like palm.’ Placing this story beside the subsequent evidence of his father’s sexual waywardness puts both in a light that could not have been achieved otherwise.’ …. read more

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