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Luke Wright talks Poems, Publishing and Parenthood on the SPL Podcast

February 19, 2014

Ryan Van Winkle talks with Luke Wright about his first collection Mondeo Man in this interview recorded just after his sell out event at the Edinburgh International Book Festival. Luke reads a couple of his poems and discusses how he has evolved as a poet, why he felt the need to publish a collection now and how becoming a parent changed his attitude to his own work. Check him out here. We also feature the track ‘Gospel According to the Purple Cotton Dress’ by C.R. Avery.

Helen Feng talks Disco and Political Change on the Culture Laser

February 18, 2014

Helen Feng of Nova Heart talks music, politics, disco and happiness with Ryan Van Winkle at the Woodford Folk Festival in Australia. “As a musician, I am most disappointed that music has become, as a harbinger of change, completely irrelevant.” Featuring tracks from their new EP Beautiful Boys. Culture Laser acknowledges the generous support of Creative Scotland.

Josh Wodak talks Art and Climate Change on the Culture Laser

February 17, 2014

Artist Josh Wodak discusses his various projects that concern themselves with climate change. “If you give people something that’s intangible like a graph on a page, it is kind of disembodied. But if you can give them something that they can really relate to, where they can see where a graph comes up to on their body, it’s a way of telling them that they are part of this, that they’re implicated, that they’re involved.” Josh discusses his involvement as an artist and as an activist and how he sees the ambiguities of art having a real role in getting people involved in the issues surrounding climate change. Check out Josh’s website. We also feature the track Red Dirt from Leah Senior. Culture Laser acknowledges the generous assistance of Creative Scotland.

Ryan bares his heart at the LateLab

February 11, 2014

I’ll be reading/holding forth at the Edinburgh International Science Festival‘s At the Heart of Things this Thursday night at the Informatics Forum, also known as Inspace. We’ll be discussing the importance of the heart both as vital organ/blood-distributor and as the conceptual seat of the emotions. Guess which one I’ll be covering! It’ll be a great show, tickets are free and available for booking on the show’s Eventbrite. Hope to see you there!

Thursday 13th February 2014, 7 for 7.30pm.
Informatics Forum, 10 Crichton Street, Edinburgh EH8 9AB

Launched at the 2012 Edinburgh International Science Festival, LateLab is a creative, social and participatory space for adults where they can make, do and interact with art, science and technology.

Come to LateLab to take part in genuine experiments and get hands on with some fascinating stuff. With talks, performances, films, table top science and creative catering, no two LateLabs are ever the same.

LateLab is a collaboration between the Edinburgh International Science Festival, New Media Scotland and the University of Edinburgh’s School of Informatics.

Richard Demarco on the Culture Laser

February 4, 2014

In our first episode of 2014, we talk with the legendary Richard Demarco about culture, festivals, failure and the importance of art. Speaking at his archive at Summerhall, Richard discusses his long association with the vibrant arts scene in Scotland and shares some of his thoughts about the current scene. We also feature the new track Change by Billy Liar from his latest EP All I’ve Got, available on Bandcamp. Produced by Colin Fraser of Culture Laser Productions (@culturelaser). Culture Laser acknowledges the generous support of Creative Scotland.

A small selection of Demarco’s thoughts on art, Edinburgh, and life at large:

– being a human being means you live only a very short time, you stretch your arms out they don’t go very far, you can only see up to the point of the horizon. my job is to persuade human beings that they should extend, with the language of the arts, the idea of where they are. but art is misunderstood – if you look at the history of the edinburgh festival – the model for the world’s festival – the festival is now not about art, not about culture on the highest level, it is essentially about entertainment.

– all art ascends, if it is worth tuppence, to the quality of prayer. prayer is acknowledging your limitations as a creature. we are here for a very short time but we are inextricably linked to every other aspect of ceaturedom.

– my eyes are always fixed in any race on the two or three runners who are losers. I’m not interested in the people that win. I’m interested in the poor people that have to lose so that others can win. and nobody should be told ‘you have won, you are special.’ I’m against that! I’m for the people who lose because art is about dealing with human weakness, and dealing with the fact that no matter how hard you try you aren’t going to win. there is no such thing as a winner. not in this world.

– if they are in love with their achievements they are second rate.

– unless there is a risk involved in what you do, don’t do it. don’t play a team that is going to be a walk-over, don’t run a race that you aim simply to win. be content to allow someone else to win. nobody wins a cup at Wimbledon depends on all the people who are not going to get to the final. we have to understand that. we have to stop this nonsense. winners and losers. everybody is a loser. it is our condition — mea culpa mea culpa mea maxima culpa – it is my fault, it is my fault, it is my greatest great fault. we have to see born as we are, we live for a very short time.

Do give it a listen.

Commiserate 2014! February – Dan Meth

February 2, 2014

Commiserate is a monthly experiment in poetic collaboration.

15131_246709547456_1590620_nFebruary 2014 — Remember 12 Things

Commiserate is back for more poetic collaboration in 2014 and I’m glad to start the year off with a new work from myself and Dan Meth. Meth and I have known each other since the 90’s. He’s a cartoonist, illustrator, director, friend and probably my longest lasting artistic relationship. At the end of 2013 Meth and I were in Kentucky for a friend’s wedding. For some reason, we were laughing at the title of a Dave Matthews Band album. I guess we thought there were more than two things to remember. Some personal, some philosophical, some just ridiculous.

Dan Says: When you’ve been friends with someone as long as Ryan and I have and you’ve rambled far and wide together, you acquire an archive a mental encyclopedia of non sequiturs and running jokes. We didn’t discuss what this collaboration would be about before or during the process. All we needed to do was crack open those encyclopedias and start connecting entries. The times you laughed hardest are going to have just as much purpose later on as the times you cried. Fun is not frivolous and this piece became a manifesto to that.

‘Remember 12 Things’

1. When mistaken for a jazz saxophonist or mustachioed matador, soft stab your fork into meat like a professional. Take a breath deep into your lungs, let out a slow solo. All the world is a stage, but no one gets their hands on the script.

2. We get through the day, we win or lose and it is hard to tell the difference between the train and the air raid sirens. There are shouting nights I wouldn’t exchanging for anything. There are days we lost innocently; pennies from a pocket. So, considering we made it this far, considering the curtains fall before the show is over,  maybe it is not so difficult to open a bottle?

3. We’re gonna die. So we better burn — be the ashes of stardust fertilizing the garden. Call Crazy Janey and the Ace of Spades and tell them we’re bringing some angel tears in a glass bottle that gets shattered. ‘cause the stars are like headlights shinin’ cross Greasy Lake. Throw those cards into the mud, everything lost in the flood, now you are being dealt the infinite game. You’ll never lose when your hair’s combed, alright.

4. You always have at least enough time for good penmanship. Even if the wind is blowing, it is cold to the bone and Christmas time too you can always get the train down to the parking lot and spell a name in petals.

5. Call me when your house is burning down. I’ll do my best to douse it with a hose that sprays commiseries.

6.  The signs for the bus stop have been demolished, that’s how you know we’re still living in Rome. The roads may be paved, maybe you can drive, but you’re inside ancient future footsteps.

7. The airport bar is always bad. But you have no other options and it’s the same out there. Laugh at the decor, puff your biceps, get yourself awesome and order one of whatever they’re having.

8. Ingest at breakfast, not at dinner. Otherwise, you’ll taste the self-doubt. Self- loathing and self-importance are coiled together tightly like the tendrils of a coat hanger femur. You don’t know shit about Kierkegaarde. But you knew it complete when you wore a younger man’s clothes. And you don’t know shit about Namor, how moonlight and water makes men heroes.

9. Follow the old lady into the woods. You don’t know where she’s going. The autumn dread of being alone. Leaves under your feet crunch like time. That’s how you know it’s the best direction. Simply the best.

10. A man who met Billy the Kid could have also met John Travolta. The accordion of lives.

11. A Married Robot still needs a remote to control the television.

12. When we’re walking down atlantic avenue, remember to be hip to it. Like you are dancing under dinosaur bones as if art never mattered. You can see the world from erection to resurrection, from tango to tongue, you put the blood in the coconut and you drink them both together. Sun bouncing off the swiss girl’s hair, a summer refrain of awesome rocking and mungo jerry juice.

Dan Meth is an cartoonist/director/writer whose art you may have seen on the internet when you should have been working. He created the award-winning web series “The Meth Minute” and has made videos for Comedy Central, Nickelodeon, IFC, and MTV. On the flipside of his comedy work is a steady stream of existential and experimental multi-media art that has been witnessed by audiences in North America, Europe, and recently Asia. www.danmeth.com

Ryan joins Screen Bandita at Summerhall

January 27, 2014

Screen Bandita and myself will be teaming up  for some audio-visual shenanigans on Tuesday February 11 at Summerhall, hope to see you there!

Adrift (In the Archive)

Harnessing spoken word, found celluloid film, slides, vintage ephemera and gramophones, Van Winkle and Screen Bandita conjure forth a mesmerising and surreal piece that unfolds and unpacks suitcases of memory, place and experience.
Drawing inspiration from the stories springing from the resonant walls and dusty corners of times past, these archival inquisitors weave a new audio visual tapestry before your very eyes; unravelling stories and episodes suspended in time and illuminating those fragments of presence and memory lingering in and about the ether, left behind by the rich cast of characters who have passed through.

What: Adrift (In the Archive)

Where: Summerhall, Edinburgh, EH9 1PL

When: 7.30-8.15pm, Tuesday February 11

How Much: £5

Ryan Collaborates with Hiva Oa and Ania Urbanowska

January 7, 2014

If you’ve got a bit of time out today, or fancy putting something relaxing in your ears (and maybe eyes), have a listen to ‘water with wind, later fire’, a piece by Hiva Oa featuring words by Mesa Begic and myself from the Commiserate project and pictures by Ania Urbanowska. Enjoy.

‘Name’ Published in the Prairie Schooner

January 6, 2014

My poem ‘Name’ was published in the Winter edition of the Prairie Schooner, alongside a lot of great writing on war and conflict. Check it out if you’ve got the time, it’s an excellent edition.

Louise Welsh, Alastair Reynolds and the Fruitmarket Gallery on the SBT Podcast

January 5, 2014

What did you get up to during Book Week Scotland? Did you meet some of your favourite authors, try our Literary Personalities app, or grab your copy of Treasures? In this instalment of Book Talk, I’ll take you on a quick tour of the week, sitting down with two authors and staying up all night at the Fruitmarket Gallery.

First up, I meet Glasgow-based author Louise Welsh for a talk about her latest book, A Lovely Way to Burn, the first instalment of the Plague Times Trilogy. Set in a contemporary world engulfed in a pandemic, the book follows a woman named Stevie Smith who sets out to get some answers regarding her boyfriend’s mysterious death. Find out where Louise found her inspiration, why you’ll love her heroine, and what’s to come in the next two books.

We then move on to Edinburgh’s Fruitmarket Gallery, which hosted an all-night event called In the Wee Small Hours, featuring a drawing workshop, poetry readings and plenty of treats. Hear from some of the attendees, discover the inspiration behind the night, and listen to some of the attending poets read their work.

Finally, Ryan takes some time to sit down with Alastair Reynolds, author of On the Steel Breeze, the second volume of the Poseidon’s Children Sequence of science fiction novels. Among other things, they discuss the ins and outs of planning a multi-volume series and how he keeps science fiction grounded in reality.

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